Here is an excerpt:
Museum of Modern Art: Van Gogh accepted the night as a distorting condition, almost the way later modernists like Marcel Duchamp and Jean Arp would use chance to experiment and to break habits. Unable to see clearly, he painted what he saw, ultimately pitting his colors against one another as if they were antagonists in a visual drama. He egged on their clashes with exaggerated daubs of paint, bringing backgrounds forward and giving each inch of canvas its own sense of life. In Western art before him, only the semi-Western mosaics of Ravenna achieved such complete articulation.- NYTHere is an example exploiting this color scheme:
An Octagon BoardFor more, please follow this article:
Van Gogh And The Colors Of The Night
No comments:
Post a Comment